Tagged: “production assistants”
Sparkman On: Judging A Book By Its Resume
To piggyback off of my last post about networking, let me talk about its sneaky friend that can sink into your mindset: judgment. While navigating our industry where “it’s all about who you know,” I found myself seeing people only for their resumes.
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Breaking In Series: Tara McHugh “Waiting for the Right [Spider] Man”
After racking up some fairly impressive entry-level production credits on several commercial shoots and reality TV shows, Tara McHugh took a giant leap of faith and left the business (and NYC) to save money while waiting for a bigger opportunity to come her way…and it paid off.
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Sparkman On: Taking the ‘Work’ Out of Networking (Mostly)
Networking. It’s a word that used to fill my soul with intimidation and anxiety. And I would stare into the dark abyss of terror as my brain beat me up.
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Breaking In Series: Stephanie Wise “When One Store Closes, A New Career Opens”
If you’ve ever watched The Blacklist, you’ve seen Stephanie Wise’s work showcased on canvasses that include James Spader’s face. She’s been the Key Make-up Artist for the NBC television show since its premiere in 2013.
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Sparkman On: When Size Doesn’t Matter
As PAs, we are often asked to perform tasks that could easily be mistaken for something small and unimportant. For example, we might be asked to get extra printer ink for the Honeywagon.
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Breaking In: Dana Zolli “Outside the Box”
Second Assistant Director (AD) Dana Zolli sat on our FACE the Experts panel in September and spoke about her work on such projects as Me and Earl and the Dying Girl, FX’s The Americans, and NBC’s Law & Order: Special Victims Unit.
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Sparkman On: Why PAs Are Important AF
A looottt of people complain that being a PA (aka Production Assistant, aka lowest woman on the production totem pole) is the worst job ever. I’ve heard people brag that they’ve never PA’d. I’ve heard crew members laugh as they warn PAs that their job sucks. I’ve even heard someone compare PAing to slavery.
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